Works Gallery

A Stormtrooper taking a selfie with a holocom device, striking a funny pose with helmet on, background of an Imperial space station with blue lights and futuristic tech, cinematic style, selfie camera angle with extended arm, humorous tone — in the style of Star Wars.

A curious brown bear sneaks into a quiet suburban backyard, pushing open the wooden gate. The bear slowly approaches a sparkling blue swimming pool under the summer sun, looks around cautiously, and then jumps into the water with a splash. The camera captures the scene in realistic 4K detail, handheld POV style, with natural daylight, birds chirping in the background, and reflections of the trees shimmering on the pool surface. The bear relaxes, floating playfully, splashing water with its paws, as if enjoying a refreshing swim. The mood is both humorous and cinematic, like a viral home-video.

POV iPhone video recorded in the center of Madrid, Spain — near Puerta del Sol. A man holds his phone selfie-style, casually interviewing a real alien who looks like a Martian: greenish skin, large black eyes, and a calm expression. The alien is dressed like a stereotypical tourist — wearing a bucket hat, sunglasses, a loud floral shirt, cargo shorts, and a small camera around his neck. He holds a city map upside down and a melting ice cream. The interviewer asks in English, “So, first time in Madrid?” Passersby stop, laugh, and take photos. Background noise includes street performers, people chatting, and city sounds. Natural daylight, slight shakiness, realistic iPhone quality. Light, humorous tone with surreal vibes.

illustration, various four man, square, exaggerated, various each iconic, solid black background, each character different appearance, humorous, flat with bold, colors limited --ar 9:16 --style raw

A surreal and slightly humorous, realistic-style scene inspired by the famous Windows XP "Bliss" background. The landscape features lush green rolling hills and a clear blue sky. From behind one of the hills, the top part of Mark Zuckerberg’s head—his eyes and forehead—emerges. His head is slightly tilted from the edge of the hill, as if he is peeking. He is staring directly at the viewer with a curious and slightly unsettling expression, as though he is secretly watching them.

A Golden Retriever tries to sneakily steal pizza off the table, but the owner catches him in the act. The dog freezes, looking guilty straight at the camera, while epic music plays in the background. Comedic slow-motion, text overlay: ‘When you pretend to be invisible’. Bright kitchen, good lighting, humorous energy, fast cuts.”

The camera changes every 3 seconds, creating a smooth cinematic sequence. All scenes take place inside a dark, vintage room with worn leather furniture, dim cinematic lighting, and an eerie, mysterious atmosphere — similar to an old philosophical interrogation room. Scene 1 (First 3 seconds): The protagonist is sitting in a deep red leather armchair, surrounded by dark walls and warm, low lighting. They slowly turn their head toward the camera and give a subtle, knowing smile. The room feels silent and heavy, filled with anticipation. Scene 2 (Next 3 seconds): A delivery guy enters the same room, walking across the dim space. He wears a food courier jacket and carries a wrapped kebab. The lighting casts long shadows, enhancing the dramatic tension as he approaches the protagonist. Scene 3 (Next 3 seconds): Close-up shot of the exchange. The protagonist calmly takes the kebab from the delivery guy. The focus is on the hands and the motion, with a shallow depth of field — the background remains blurred, showing hints of aged wallpaper and leather textures. Scene 4 (Final 3 seconds): Cut to the protagonist now sitting on an old couch within the same room, visibly stuffed after eating. They recline in a relaxed, almost philosophical daze. Half of the kebab lies beside them on a small table. The mood is darkly humorous, quiet, and introspective. No text.

Cinematic scene inside an old, dirty warehouse converted into a meeting room. Dust floats in the air under flickering fluorescent lights. Around the room, there are piles of cardboard boxes, broken shelves, and random junk. In the center, a circle of mismatched chairs forms a group meeting, like an Alcoholics Anonymous session. Sitting in the chairs are anthropomorphic crash test dummies — the kind used for car safety tests — wearing casual clothes. They appear to be talking seriously, gesturing with their hands as if sharing personal stories. On a small table in the middle, there are coffee cups and a box of donuts. Suddenly, one of the dummies stands up angrily, shouting and knocking over a chair and spilling cans of Coca-Cola, while the others look shocked. The mood is tense but slightly absurd, filmed like a dark comedy. Style: cinematic realism, shallow depth of field, dramatic lighting, handheld camera, slightly grainy texture Mood: surreal, melancholic, darkly humorous Camera movement: slow dolly-in followed by shaky handheld close-up when the dummy gets angry

Two Stormtroopers, full white armor and helmets, run desperately but humorously after a yellow taxi on a busy New York street, waving and shouting: “Taxi! Stop! We need to get to the Death Star!” Military tone, British accent, voices muffled by helmets. Urban street noise, running footsteps, helmet-filtered shouting. 8-second duration.

A hyperrealistic dachshund stands upright on its hind legs, working in a modern burger kitchen. It wears a small, crisp white chef’s hat and a clean apron. The dog is focused in front of a sizzling stainless steel griddle, expertly flipping juicy hamburger patties with a metal spatula. The kitchen is brightly lit, with polished steel surfaces, realistic utensils, and subtle steam rising from the grill. Natural lighting pours in from a side window, enhancing the rich textures of the dog’s fur, the glistening meat, and the reflective metal. Every detail—from the grease on the griddle to the tension in the dog’s posture—is rendered in ultra-high realism. The scene feels authentic, lively, and slightly humorous due to the dog’s serious demeanor. Cinematic composition, hyperreal style, 4K.

A first-person POV vlog from a stormtrooper on duty aboard the Death Star. The stormtrooper gives a humorous, slightly sarcastic commentary as they walk through the sleek, metallic corridors. They complain about the uncomfortable armor, fail miserably at a blaster target practice session, and get startled when a high-ranking officer walks by. The environment is retro-futuristic — dim lighting, shiny walls, sliding doors. Synthwave music plays softly in the background. The trooper wraps up the vlog with a tired wave to the camera, saying, 'Another day, another patrol. Catch you next time!' Filmed with a smooth, GoPro-style helmet cam and a cinematic tone.

A stylized collectible action figure in a toy package labeled "Williams" for ages 4+, featuring Nico and Inaki Williams. They are wearing Athletic de Bilbao Jersey and shorts and black soccer boots. . The package includes interchangeable accessories: a la liga ball, a trophy from copa del rey and. The background of the packaging is blue with white bold text that reads "LOS WILLIAMS". The figures have a caricatured, exaggerated head , presented in a humorous, satirical style.

A cinematic and humorous action scene in a modern city. A bald, muscular man in a white tank top and jeans rushes past a parking garage ticket machine while a large stylized animal runs nearby. He reaches out for a ticket with a confident smile. Neon reflections, wet asphalt, motion blur, dramatic lighting, realistic film look, fast-paced energy